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Theatrical Review: The Wrestler

Ever since it won the Golden Lion at this year’s Venice Film Festival, Darren Aronofsky’s The Wrestler has beet hotly anticipated and those not lucky enough to catch it in Toronto or at the NY Film Festival should now understand why. While The Wrestler is continually being referred to as the filmmaker’s return to form or other such hogwash from people who didn’t see the beauty in his last film, The Fountain. Thankfully, his latest has no such barriers to its success and this exceptional film is one of the best-reviewed films of the year.
The Wrestler is being compared to Rocky and while it is similar in a few superficial ways, its core message and lead character are distinctly different. Rocky was a bum. He wasn’t a had been, he was a “never was.” He’d never been close to a contender and was more like On the Waterfront‘s Terry Molloy (except that Rocky eventually became “somebody,” of course). On the other hand, The Wrestler‘s Randy “The Ram” Robinson (achingly played by a resurgent Mickey Rourke) was a superstar.
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