Tag Archives: David Denby

2006 indieWIRE Blog Poll

poster2.jpgIn response to fellow blogger Tom Hall‘s call to arms, as well as the 2006 indieWIRE Critics’ poll I am posting my year end list. I have violated the rules laid down by Mr. Hall and indieWIRE because I felt like it and because I have trouble following directions. I have doubled the performance categories and thrown some runners up, as well as a few “worst of the year” mentions. I’ve said it before and I’ll say it again: my blog, my rules!
Also, there are many films I have yet to see, including The Death of Mr. Lazarescu, L’Enfant, Army of Shadows (returning soon to Film Forum!), Old Joy, Casino Royale, Borat, Half Nelson, The Last King of Scotland, Volver…. now it’s just getting embarrassing. As a result, I get the feeling I will be monkeying with my list as the year winds down this week. The “best first feature” section is especially barren for me, not having seen any of the indieWIRE-listed films. That said, I am pretty ok with my choice. As for the “best documentary” category, I am woefully unprepared for this one. (Jesus, I am getting more and more pathetic as this goes on….). I am therefore leaving it blank and hope to fill it in at a later date.
On with the poll!

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V And The Critics

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I am on record as being a big fan of James McTeigue‘s V For Vendetta but I am beginning to have a big problem with some of the critics out there who are trashing this film in less than critically intelligent ways. Don’t get me wrong, I don’t have a problem with people disliking films that I like or vice versa but it seems like many of these nay-saying, V-hating critics are viewing the picture without any sense of context or history. V For Vendetta is the third in a series of truly progressive-bordering-on-the-radical films released by Warner Bros., following on the heels of Good Night, and Good Luck and Syriana, both of which I loved. In fact I would go so far as to say that the three of them ought to be released in a box set with commentary by Noam Chomsky, Studs Terkel and Frank Rich in addition to commentary by the filmmakers.

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